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In the period 1750-1795
in European and
European-influenced
countries, fashionable
women's
clothing styles
tended to be somewhat
confining and cumbersome.
The
hoop-skirts of
the 1740s were left behind,
but wide
panniers came
into style several times,
and the aesthetic of an
inverted conical corseted
torso above full
skirts
prevailed during most of the
period.
The 1770s were notable for extreme hairstyles which were built up very high, and often incorporated decorative objects (sometimes symbolic, as in the case of the famous engraving depicting a lady wearing a large ship in her hair with masts and sails — called the "Coëffure à l'Indépendance ou la Triomphe de la liberté" — to celebrate naval victory in the American war of independence). These coiffures were parodied in several famous satirical caricatures of the period. In the 1780s, panniers finally disappeared, and bustles were worn for a time. Elaborate hats replaced the former "big hair". By 1790, skirts were still somewhat full, but they were no longer obviously pushed out in any particular direction (though a slight bustle might still be worn). The "pouter-pigeon" front came into style (many layers of cloth pinned over the bodice), but in other respects women's fashions were starting to be simplified by influences from Englishwomen's country outdoors wear (thus the "redingote" was the French pronunciation of an English "riding coat"), and from neo-classicism. By 1795, waistlines were somewhat raised, preparing the way for the empire silhouette and unabashed neo-classicism of ca. 1800 fashions.
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Designer Definition (from U.S Department of Labor)
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