Couture Hand Stitches

Pad stitch, catch stitch, fell stitch, herringbone stitch and slip stitch — the couture hand.

Hands working pad stitches in rows through a jacket lapel with needle and thread

Couture hand stitches are the small family of hand stitches fine sewing relies on where a machine cannot go — or cannot go invisibly. Five do most of the work: the pad stitch, rows of diagonal stitches that shape a lapel's roll and marry hair canvas to cloth; the catch stitch, a crossed stitch that holds hems and facings with a little give; the fell stitch, a small slanted stitch securing a folded edge (a lining, an appliqué) flat to its ground; the herringbone stitch, a wide crossed stitch that catches a hem or facing while stretching with it; and the slip stitch, an almost invisible stitch closing folded edges together — linings, bindings and gaps left for turning.

The Five Stitches

Why Couture Still Sews by Hand

Hand stitches do three things machines cannot: they shape in three dimensions (pad stitching literally sculpts), they flex with the body (a catch-stitched hem moves; a machine topstitched one can snap), and they disappear — a slip-stitched lining shows no machine line on a garment costing thousands. They are slower, which is exactly the couture trade: time spent where only the hand will do, machines used everywhere else without apology.

FAQs

What is the difference between a catch stitch and a herringbone stitch?
Both cross their threads. The catch stitch is small, flat and worked close for hems and facings; the herringbone is larger, more open and more decorative, used where some stretch or a visible craft effect is wanted.
Why are pad stitches diagonal?
Diagonal stitches worked in offset rows let the two layers shift minutely against each other, building a smooth permanent curve — the lapel roll — instead of a flat lock.
When is a slip stitch used?
Whenever two folded edges must be joined invisibly: closing a lining, finishing a binding, or sewing shut the gap left for turning a piece right side out.